The word “chhath” denotes the number 6 in Hindi. The festival is marked for four days beginning from the sixth day of the Hindu lunar calendar month of Kartik. The festival of Chhath begins immediately after Tihar. It is the greatest festival of Mithilanchal (Janakpur area) people who speak Maithili. This year it began on Thursday and ended Sunday. Women offer Argha to the setting sun on Saturday evening.On the third day women worship the setting sun and offer arghas at their nearby ponds and rivers. The devotees also sing folk and devotional songs in the praise of the sun. Devotees break their fasting after worshipping the rising sun on the morning of the fourth day of Chhath, which is also known as Paran or Parwan.Chhath is a festival dedicated to the Sun God. It is considered to be a means to thank the Sun for bestowing the bounties of life in earth, as also for fulfilling particular wishes. Worship of the Sun has been practiced in different parts of Indian sub continent, and the world from time immemorial. Worship of sun has been described in the Rig Veda, the oldest Hindu scriptures, and hymns praying to the sun in the Vedas are found. In the ancient epic, the Mahabharata, references to worshipping of the sun by Draupadi, wife of the Pandavas, are found. They take a dip in Ganga Sagar, the famous lakes of the area. During the four-day-festival, the devotees worship the rising and setting sun. They have a belief that worshipping the sun would help cure the diseases like Leprosy and bring about longevity and prosperity to their family members.
The Chhath festival, celebrated by the people of this ancient capital of the Mithila region, has been a cultural convergence of both the Maithili-speaking people and the people migrated here from hill areas. Janakpur is believed to be the capital of the legendary king Janak, the foster father of Sita, who was married to Lord Ramchandra from Ayodhya in India . People of the Mithila region are of the opinion that the Chhath festival, also known as Surya Pooja (worshipping the sun) has been described in the Rig Veda, which is believed to be the oldest text available in the world. Chhath emerged as a traditional festival after Draupadi, wife of the Pandavas, began worshipping the sun during their one-year disguise in the palace of king Birat. People believe that worshipping the sun would help cure the disease like leprosy and bring about prosperity and longevity to their family members. Local people say that the festival has become more important after migrants from the hills also adopted it as their own cultural asset. Women of the Mithila region were busy in purchasing varieties of articles to offer to the sun god. The Chhath festival is marked for four days. Men and women prepare special dishes made up of special rice and molasses and taste them after an audience of the moon. They took a dip in Ganga Sagar and Dhanush Sagar, the famous lakes of the area. During the four-day-festival, the devotees worship the rising and setting sun.
The third day of the festival of Diwali is the most important day of Lakshmi-puja and is entirely devoted to the propitiation of Goddess Lakshmi. On this very day sun enters his second course and passes Libra which is represented by the balance or scale. Hence, this design of Libra is believed to have suggested the balancing of account books and their closing. Despite the fact that this day falls on an amavasya day it is regarded as the most auspicious.
The day of Lakshmi-Puja falls on the dark night of Amavasya. The strains of joyous sounds of bells and drums float from the temples as man is invoking Goddess Laxmi in a wondrous holy "pouring-in" of his heart. All of a sudden that impenetrable darkness is pierced by innumerable rays of light for just a moment and the next moment a blaze of light descends down to earth from heaven as golden-footed Deep-Lakshmi alights on earth in all her celestial glory amidst chantings of Vedic hymns.
A sublime light of knowledge dawns upon humanity and this self enlightenment is expressed through the twinkling lamps that illuminate the palaces of thewealthy as well as the lowly abodes of the poor. It is believed that on this day Lakshmi walks through the green fields and loiters through the bye-lanes and showers her blessings on man for plenty and prosperity.
Lakshmi Pooja, or the worship of the goddess of wealth, is the main event on Diwali in North and West India. It is extremely important to keep the house spotlessly clean and pure on Diwali. Goddess Lakshmi likes cleanliness, and she will visit the cleanest house first. This is also the reason why the broom is worshiped on this day with offerings of haldi and kumkum (turmeric and vermilion). Lamps are lit in the evening to welcome the goddess. They are believed to light up Her path.
Lakshmi Puja consists of a combined puja of five deities: Ganesha is worshiped at the beginning of every auspicious act as Vighnaharta; Goddess Lakshmi is worshiped in her three forms - Mahalakshmi (the goddess of wealth and money), Mahasaraswati (the goddess of books and learning), and Mahakali; Kuber (the treasurer of the gods) is also worshiped.
बोक्सी, भूतप्रेत भगाउने भेला ! Nagendra kumar karna महोत्तरीको सदरमुकाम जलेश्वरदेखि ३२ कि.मि.उत्तर पश्चिममा पर्ने जलेश्वर-बर्दिबास सडक खण्डको सोनामाई गा.वि.स.- २ भोईलस्थित सोनामाई मन्दिरमा दसैंको सुरुआतसँगै बोक्सी, भूतप्रेत नियन्त्रण गर्ने मेला प्रारम्भ भएको छ ।घटस्थापनाको दिनदेखिनै काम्दै, खुट्टा बजार्दै र बर्बराउँदै बोक्सी, भूतप्रेत लागेकाको सो मन्दिरमा घुइँचो देखिने गरिन्छ । भूतप्रेत, बोक्सी र तन्त्रमन्त्रले रोगी भएका सोनामाईको दर्शन गरे निको हुने जन विश्वासको कारण घटस्थापनादेखि महानवमीसम्म रोगीको भीड हुने गर्दछ ।भूतप्रेत, बोक्सी लागेकाको धामी झाँक्रीबाट उपचार गराई निको गरिने गरिएको भए पनि तिनीहरूबाट समेत निको नभएका सो मन्दिरमा जाँदा आफैं ठीक हुने विश्वासको कारण बर्सेनि हजारौं रोगी र दर्शनार्थी आउने गरेको स्थानीय वासी बताउँछन् । मन्दिरका पुजारी भूतप्रेत, बोक्सी लागेपछि बहुलाउने, बरबराउने, काम्ने जस्ता कार्य गर्दै आएको बताउँछन् । पुजारीले प्रतिशोधको भावना र शारीरिक रुपले कमजोर व्यक्तिमा भूतप्रेत र बोक्सी समाउने गरेको बताउँदै रोग निवारणका लागि भक्तजन मन्दिरमा आउने बताउँछन् । भूत लाग्नेले सोनामाई क्षेत्रमा पुग्ने बित्तिकै भूत खेलाउन थाल्छन् र मन्दिर प्राङ्गणमा मानव आकृति रुपी काठको खम्भा छुने बित्तिकै भूतप्रेत, बोक्सी आदिद्वारा लगाइएको जादु टोना निको हुन जाने विश्वास छ । दसैंको घटस्थापनादेखि सोनामाई देवीको अगाडि दुष्टात्मा नटिक्ने भएका कारणले सो अवधिमा मन्दिरको एक कि.मि. गोल वरिपरि भूतप्रेत, बोक्सी, जादु टोनालागेको व्यक्ति प्रवेश गर्ना साथ दुष्टात्मालाई कष्ट हुन थाल्छ र त्यस्तो व्यक्ति बरबराउने, काम्ने जस्ता क्रियाकलाप गर्ने गर्दछ । सो अवधिमा भूतपे्रत, बोक्सी र जादुटोना लागेकी महिला नै अधिकांश रूपमा पुग्ने गरेकी छिन् जसलाई स्थानीय भाषामा 'करनी' भनेर चिनिन्छ ।महानवमीका दिन राँगाको बलिसागै सकिने सोनामाईको पूजा मन्दिरमा पुग्ने बित्तिकै करनी महिलाद्वारा देखाइने अनपेक्षित व्यवहार आफै ठीक हुने कार्य आश्चर्यचकित गराउने हुने हुँदा सोको अनुसन्धान वैज्ञानिक ढङ्गबाट भए अहिलेको समयमा यसको महत्त्व झन बढ्ने छ ।
During the month of Kartik in the Bikram Sambat calendar (late September and early October), the Nepalese people indulge in the biggest festival of the year, Dashain. Dashain is the longest and the most auspicious festival in the Nepalese annual calendar, celebrated by Nepalese of all caste and creed throughout the country. The fifteen days of celebration occurs during the bright lunar fortnight ending on the day of the full moon. Thorough out the kingdom of Nepal the goddess Durga in all her manifestations are worshiped with innumerable pujas, abundant offerings and thousands of animal sacrifices for the ritual holy bathing, thus drenching the goddess for days in blood.
Dashain commemorates a great victory of the gods over the wicked demons. One of the victory stories told is the Ramayan, where the lord Ram after a big struggle slaughtered Ravana, the fiendish king of demons. It is said that lord Ram was successful in the battle only when goddess Durga was evoked. The main celebration glorifies the triumph of good over evil and is symbolized by goddess Durga slaying the terrible demon Mahisasur, who terrorised the earth in the guise of a brutal water buffalo. The first nine days signify the nine days of ferrous battle between goddess Durga and the demon Mahisasur. The tenth day is the day when Mahisasur was slain and the last five days symbolise the celebration of the victory with the blessing of the goddess. Dashain is celebrated with great rejoice, and goddess Durga is worshiped throughout the kingdom as the divine mother goddess.
In preparation for Dashain every home is cleansed and beautifully decorated, painted as an invitation to the mother goddess, so that she may visit and bless the house with good fortune. During this time the reunion of distant and nearby relatives occur in every household. The market is filled with shoppers seeking new clothing, gifts, luxuries and enormous supplies of temple offering for the gods, as well as foodstuffs for the family feasting. Thousands of sheep, goats, ducks, chicken and water buffalo are prepared for the great slaughter. All types of organisations are closed for ten to fifteen days. Labourers are almost impossible to find; from the poor to the rich, all enjoy the festive mood. Anywhere you go the aroma of 'Vijaya Dashami' is found.
The first nine days of Dashain are called nawa ratri when tantric rites are conducted. In Nepal the life force is embodied in the divine energy and power of the female, depicted as goddess Durga in her many forms. All goddess who emanated from goddess Durga are known as devis, each with different aspects and powers. In most mother goddess temples the deity is represented simply as a sacred Kalash, carved water jug or multiple handed goddess holding murderous weapons. During these nine days people pay their homage to the goddess. If she is properly worshiped and pleased good fortunes are on the way and if angered through neglect then misfortunes are around the corner. Mother goddess is the source of life and everything.
The first day of Dashain is called Ghatasthapana, which literally means pot establishing. On this day the kalash, (holy water vessel) symbolising goddess Durga often with her image embossed on the side is placed in the prayer room. The kalash is filled with holy water and covered with cowdung on to which seeds are sown. A small rectangular sand block is made and the kalash is put in the centre. The surrounding bed of sand is also seeded with grains. The ghatasthapana ritual is performed at a certain auspicious moment determined by the astrologers. At that particular moment the priest intones a welcome, requesting goddess Durga to bless the vessel with her presence.
The room where the kalash is established is called 'Dashain Ghar'. Generally women are not allowed to enter the room where Dashain puja is being carried out. A priest or a household man worships the kalash everyday once in the morning and then in the evening. The kalash and the sand are sprinkled with holy water everyday and it is shielded from direct sunlight. By the tenth day, the seed will have grown to five or six inches long yellow grass. The sacred yellow grass is called 'Jamara'. It is bestowed by the elders atop the heads of those younger to them during the last five days when tika is put on. The jamara is taken as a token of Goddess Durga as well as the elders blessing.
As days passes by regular rituals are observed till the seventh day. The seventh day is called 'Fulpati'. On this day the jamara to be used by the royal household is brought from their ancestral royal house in Gorkha about a hundred and sixty nine kilometres away over the hills north west of the valley of Kathmandu. A parade is held in the Hanuman Dhoka Royal Palace. The fulpati, i.e. the procession bearing the jamara and other items necessary for the tika, is brought from Gorkha after a three day walk and most of the government officials are eagerly waiting for the fulpati parade to arrive at Rani Phokari in the afternoon. Rani Phokari area is filled with hundreds of government officials meticulously attired in the traditional formal dress.
In fulpati, the royal kalash filled with holy water, banana stalks, jamara and sugar cane tied with red cloth is carried by Brahmans from the ancestral royal house on a decorated palanquin under a gold tipped and embroidered umbrella, led by the military platoon of the royal priest. The government officials also join the fulpati parade. Whilst the fulpati parade is heading towards the old royal palace, His Majesty the King observes the ceremonies taking place in Tundikhel, the army parade ground in the center of the city. There a majestic display of the Royal Nepalese Army is held. Guns are fired and the entire valley echoes with the resonance sound of it. The firing continues for ten to fifteen minutes to honour the fulpati. By the time the function ends the royal fulpati is already taken inside the Dashain ghar in Hanuman Dhoka Palace. With this the Dashain feasting starts.
The eighth day is called the 'Maha Asthami'. The fervour of worship and sacrifice to Durga and Kali increases. On this day many orthodox Hindus will be fasting. Sacrifices are held in almost every house through out the day. The night of the eighth day is called 'Kal Ratri', the dark night. Hundreds of goats, sheep and buffaloes are sacrificed at the mother goddess temples. In the darkness of the night Durga temples, army barracks, and old palaces all over Nepal hold sacrifices for the mother goddess. The sacrifice continues till dawn. The old palace in Basantapur Hanuman Dhoka, is active throughout the night with worships in almost every courtyard. While the puja is being carried out great feasts are held in the homes of common people where large amount of meat are consumed.
The ninth day is called 'Nawami'. The Taleju temple at Hanuman Dhoka is opened for the public only once a year on this day. Thousands of people go and pay their respect to the goddess day. Temples of mother goddess are filled with people from dawn till dusk. On this day the official military sacrifices are held in the 'Kot' courtyard at Hanuman Dhoka. The government allows foreigners to witness this function so hundreds of tourists and diplomats eagerly gather here. Animals mostly black buffaloes are slaughtered by hundreds to honour Durga the goddess of victory and might and to seek her blessing. Military bands play war tunes, guns boom and officers with beautifully decorated medals in full uniform stand there. When the function ends the courtyard is filled ankle deep with blood. On this very day the god Vishwas Karma, the God of creativity is also worshiped. All factories, vehicles, any machinery instruments and anything from which we make a living are worshiped. We also give sacrifices to all moving machinery like cars, aeroplanes, trucks etc. to get the blessing from goddess Durga for protection for vehicles and their occupants against accidents during the year. The entire day is colourful.
The tenth day is the 'Dashami'. On this day we take tika and jamara from our elders and receive their blessing. We visit our elders in their home and get tika from them while our younger ones come to our home to receive blessing from us. The importance of Dasain also lies in the fact that on this day family members from far off and distant relatives come for a visit as well as to receive tika from the head of the family. This function continues for four days. His Majesty also receives tika from the royal priests and then gives on tika to his loyal subjects. Thousands of loyal Nepalese people as well as foreigners also receive tika from His Majesty the King as this is said to be auspicious. After four days of rushing around and meeting your relatives Dashain ends on the full moon day, the fifteenth day. In the last day people stay at home and rest. The full moon day is also called 'Kojagrata' meaning 'who is awake'. The Hindu goddess of wealth Laxmi is worshipped. On this day the goddess Laxmi is given an invitation to visit each and everyone.
After Dashain the nation settles back to normal. After receiving the blessing of goddess Durga, people are ready to work and acquire virtue, power and wealth. Dashain thus is not only the longest festival but also the most anticipated one among all the festivals of Nepal.
Article by Avigya Karki Photographs by Min Bajracharya, Deependra Bajracharya and Madhup Mangal.
Jivitputrika Vrat, also known as Jiwit Putra, is observed for the wellbeing of the sons by mothers in Mithilanchal of Nepal. The Vrat is observed on the eighth day in the waning phase of the Ashwin Month. Jiutya, a red and yellow thread, is worn by mothers who undertake this fasting. In 2008, the date of Jivitputrika Vrat is September 22. A section of Hindu society has started questioning the relevance of such Vrats that are exclusively dedicated to sons; they are argue that it only worsens the condition of women and only encourage female feticide.
Jivitputrika Vrat is not dedicated to any particular deity. The sole aim of the Vrat is the long life of sons. After early morning bath and prayers, mothers start the fast and do not take any food during the whole day. Jiutya, a red and yellow thread, is worn on the day by fasting women and some women wear it till the thread is worn out.
Usually, Jiutiya fasting is done in a group and there will bhajans and narration of Jivitputrika Vrat Katha etc. The rituals associated with the Vrat vary from region to region but the purpose is the same.
The Jivitputrika Vrat demonstrates limitless love and affection of a mother for her son. In ancient days, sons were necessary for the protection of the mother and other female members in the family. But times have changed and today daughters are equally capable and can provide the same kind of protection a son provides. But sadly a large section of society still sees female as a burden and encourage female feticide.
One of the greatest aspects of Hinduism is to adopt fresh ideas and assimilate them into it. One idea that needs to be assimilated soon is the respect for girl child. And Jivitputrika Vrat should be performed for the welfare of sons and daughters (offsprings) not just sons.
Jitiya in Nepal
Jitiya is also celebrated in Hindu majority Nepal with great reverence. It is particulary celebrated by indigenous communities e.g. “Singh Danuwar” as well as “Donwar Rajputs” in Terai region. They always prayed earth, air, fire, and water as their god and goddess and consider nature as their god. As a god of fire, the Danuwar women celebrate `Jitiya’ as one of their great festivals. They worship jackals and eagles as the incarnation of Jitmahan, son of the Hindu God Sun (also called Surya Narayan).
The newly brides (daughter in law) of Danuwar women have to wait for a perfect day in order to celebrate Jitiya festival. The newly wed Danuwar women could fast for the Jitiya only if the festival falls on either Saturday or Sunday. The Danuwar community considers those women as fortunate ones if they get to celebrate Jitiya on the same year of their marriage and their community calls this day as the `Khar Din’.
If a Danuwar woman does not get the opportunity to celebrate Jitiya on Khar Din then she must wait for next year and so on until the perfect day eventually comes for her. Those women who get the opportunity to celebrate Jitiya on Khar Din have to take an oath before their god for fasting regularly on every Jitiya festival.